The Crusaders – Street Life (1979)
Learning to be anti-racist
“The common idea of claiming ‘color blindness’ is akin to the notion of being ‘not racist’ – as with the ‘not racist,’ the color-blind individual, by ostensibly failing to see race, fails to see racism and falls into racist passivity.” – Ibram X. Kendi
For years, I have been mistakenly under the impression that ‘racist’ and ‘not racist’ were opposites. I’ve since realized that ‘anti-racism’ is actually the opposite or ‘racism’ & I need to do a better job of being actively anti-racist.
As a starting point, I want to commit to doing two small things every week:
- Listen & Learn. Share resources that I’ve found helpful.
- Amplify Black Voices. Each Wednesday, feature a Black Artist from the 1001 list.
Last week, I looked at Curtis Mayfield’s There’s No Place Like America Today.
This week, The Crusaders’ Street Life.
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[Album 780/1001]
How do you know when you’re listening to a really solid group of musicians?
When each track of an album features a different standout instrument.
With The Crusaders & Street Life, that would include:
Guest vocalist Randy Crawford’s performance on the opening title track
My Lady‘s bassline
Rodeo Drive (High Steppin’)‘s mid-song guitar
The keyboard-driven chord progression on Carnival of the Night
The Hustler‘s anticipating cymbal hits (on the 4 +, rather than waiting for the downbeat)
The smooth saxomophone on Night Faces
I suppose there’s also another correct answer to the question, how can you tell when you’re listening to a really solid group of musicians?
When the band is listed as having been active during 7 (!) decades, as the Crusaders were from 1952-2010.
One would think that hitting a commercial peak 27 years after forming would be a late-career triumph – but it appears with Street Life in 1979, the Crusaders weren’t even at their halfway point yet!
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Helpful Resources
As a longtime fan of Top 5 lists, I really appreciated Franchesca Ramsey (Chescaleigh)’s video, “5 Tips for being an Ally.”
There are some excellent analogies (wanting to help build a house but lacking any training, wearing horse blinders, different roles in Destiny’s Child) & I quite like the closing message of ‘ally’ being an ongoing verb, rather than a one-time statement.
Trackbacks & Pingbacks
- Cypress Hill – Cypress Hill (1991) | 1001albumsin10years
- Cee-Lo Green – Cee-Lo Green… Is the Soul Machine (2004) | 1001albumsin10years
- Maxwell – Maxwell’s Urban Hang Suite (1996) | 1001albumsin10years
- Ladysmith Black Mambazo – Shaka Zulu (1987) | 1001albumsin10years
- Muddy Waters – Hard Again (1977) | 1001albumsin10years
- Fela Ransome-Kuti and The Africa ’70 with Ginger Baker – Live! (1971) | 1001albumsin10years
- Femi Kuti – Femi Kuti (1995) | 1001albumsin10years
- Shuggie Otis – Inspiration Information (1974) | 1001albumsin10years
- Gang Starr – Step in the Arena (1991) | 1001albumsin10years
- Jurassic 5 – Power in Numbers (2002) | 1001albumsin10years
- 1979 | 1001albumsin10years
Man, those are some serious collars the guys are sporting on the LP sleeve!
I bet you could put together a sharp looking lego re-enactment of this sleeve, Joe!
Great stuff Geoff.
Much appreciated, Deke – I enjoyed this album, a lot smoother than I expected given the band name (Crusaders) and album name (Street Life)!
Now, are they still the original members, now that would be impressive.
That I’m not sure – but they only have 8 total members listed as ‘past members’ of the group (as opposed to some bands have full timelines and separate pages devoted to keeping track of all the comings & goings).
So it looks like the lineup was relatively consistent here, which is neat if that’s the case, playing with the same group for that long!
Wow, only 8. That is really good. Nice to hear to that.